The Cello Studio
of
Ryan Sweeney

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About Ryan Sweeney: I am a cellist who performs and teaches in Los Angeles. I hold degrees in cello performance from Northwestern University and Rice University, and have been teaching professionally since 2001.

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For the past few years, Mr. Sweeney has provided me an environment that’s not only nourishing, but also inspiring. At any moment, he has the motivation to seek for the best in his students and also enjoys watching them excel. He is patient and understanding, and genuinely cares for the improvement of his students. Perhaps one of the most distinguishing aspects of his teaching is that he emphasizes a player’s balance and composure in mental, physical, technical, and musical aspects. Besides lessons, Mr. Sweeney also manages to hold many technique classes and studio classes to improve his students’ playing abilities and also to introduce them to the fine art of developing the poise of a performer. His studio classes, where players can listen to each other and make observations and constructive comments, not only allow players to look towards other fellow students for inspiration, but also prepare his students for real performances and competitions. Throughout the many studio classes I have attended, I have visibly noticed a drastic improvement on my ability to handle stress and nerves before or during performances. I can confidently say that selecting Mr. Sweeney to be my teacher has been the wisest decision my family has made for my cello playing. Thanks to his good will and passion for teaching, he has made my journey as a cellist both memorable and enjoyable."

  Kevin Wei
Student

 

See more acclaims in the About-Acclaims section of the website.

 

 

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Monday
Jun202011

String Visions from Ovation Press

My former teacher, Hans Jensen, has launched a blog through his music publishing company, Ovation Press, that is geared towards exploring and discussing issues that are important to all contemporary classical musicians.

One recent entry that I found particularly interesting was on the subject of bow angle or 'skewness'.  I've shown the very begining of the entry below, but to get the full effect it is best to visit the website and read the fascinating comments made by the readers as well.

 

To play parallel or not? You might not realize it, but this is very controversial topic.

To play parallel to the bridge is an aspect of string playing that has often been misunderstood – one that results in some heated discussions among teachers and performers of stringed instruments even today.

Here at String Visions I would first like to write a series of articles about this topic from different perspectives, and then to open up a discussion forum. Please get involved and write comments about my articles and feel free to write a longer article yourself on this topic and let us know what you think. The factors involved in these issues relate to the biomechanics of the body, natural motion, and movement patterns of the bow arm and the physics of the vibrating string. [...read the rest of part I]
 
 

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